Posts Tagged ‘common’

Take It Personal Podcast (Ep 3: Holiday Edition)

Sunday, January 1st, 2017

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For some, it doesn’t feel like the holidays until we see our pals John McClain, Kevin McCallister or Ralphie Parker. Episode 3 is our holiday special and its packed with classics from OutKast, Redman, Common, Lord Finesse, Big Pun, Nas, Screwball, The Roots, Mad Skillz, The Beatnuts and L.O.T.U.G., plus new music from The LOX, Snowgoons, Meyhem Lauren and Hus Kingpin & SmooVth. And what’s our show without a little banter? We each discuss/diss our favorite years in hip-hop as well as our guilty pleasures. Stay tuned, you don’t want to miss this show!

Download Take It Personal (Ep 3 Holiday Edition).mp3 from

Other listening options besides Soundcloud…

Google Play
Stitcher Radio


Return of The Boom-Bap (The T.R.O.Y. Blog mix)

Thursday, September 5th, 2013

For all of our Spotify users out there, our lil’ bro blog OpinionatedJay has put together 4 really cohesive mixes covering a few different themes such as indie rap, collaborations and posse cuts to quintessential Boom-Bap hip-hop. Check them out and subscribe to the ones you like because we’ll continue adding to these playlists as more tracks become available via Spotify.

And don’t forget to give us a like on Facebook. Our new page will bring you all things Philaflava so you can stay on top of the latest forum threads, SteadyBloggin and of course The T.R.O.Y. blog.


Common – “Resurrection” + remixes

Wednesday, May 25th, 2011

Common Sense “Resurrection” (LP Version)

Common Sense “Resurrection ’95”

Common Sense “Resurrection” (Extra P remix)

Common Sense “Resurrection” (Large Pro remix)

For the LP version of “Resurrection,” the title track of Common’s sophomore album, producer No I.D. samples the piano from Ahmad Jamal Trio’s “Dolphin Dance” and places the loop on top of a forceful break. Neither the melody nor the rapping are trampled by the drums; each element sounds equally assertive and vibrant. I can imagine a drunk and raucous Common barging into the studio and quickly sobering once he hears the instrumental track, shifting his focus to reeling in the rhymes and puns cascading through his mind. The high-pitched nonsensical antics of his debut effort no longer suffice, as he is newly inspired to treat his vocation as both craft and art.

This is the mythology that Common offers to the listeners, that his “speech and thoughts” are quicker and more nimble now that he’s grown up a bit and halted his daily consumption of malt liquor. He is just coming down from his high, so he must “stagger,” possessed by the forward movement of the beat. Rhyme patterns begin to assemble themselves into patter, as if they were interdependent organisms moving in knowing response to the rhythm. By gradually lifting himself out of his alcoholic fog, Common reconnects with the wondrous physicality of words, both the sounds they make when spoken and the images and moods they evoke. (more…)

Jon Stewart Slams Fox News Over Common Outrage

Saturday, May 14th, 2011

If you missed this non-controversy, here’s a summary. Two-part video below.

Jeru, Common, Nas, and Lil B: Genre Personification

Tuesday, November 2nd, 2010

Songs that personify hip hop as a damsel in distress ((It’s funny to me that this type of song often criticizes  misogyny  in rap at the same time that it personifies hip hop as a woman who does not possess any creative/sexual agency, i.e. a used up whore in need of corrective pimping.)) or simply as a hapless victim are  difficult to sit through. The listener is asked to accept the premise that the rapper playing the knight in shining armor knows best; that his intentions are noble; that his take on the history of the genre is informed and insightful; and that his critique is not merely an assault on a false dichotomy. This problem was overcome in the past when rappers penned witty, stylized odes to their genre and their contradictions were overshadowed by enjoyable music. Years later, however, songs like Common’s “I Used To Love H.E.R.” and Jeru The Damaja’s “One Day” lose some of their luster. The moral rescue enacted in these songs is campy and antiquated; listeners no longer pine for a reclamation of the genre. Why bother, when any individual fan can utilize online social networking to rescue the music that correlates to their niche taste and place it in a conveniently labeled mylar pouch? (more…)

The T.R.O.Y. Blog Presents: Funk-O-Rama V5

Tuesday, September 7th, 2010
Volume 5.
Check previous Funk-O-Rama compilations.

01. The Beatnuts – We Got The Funk
02. Cypress Hill – The Funky Cypress Hill Shit
03. DJ Quik – Way 2 Fonky
04. Lords Of The Underground – Funky Child
05. The D.O.C. – It’s Funky Enough
06. Common – Food For Funk
07. Pooh-Man – Funky As I Wanna Be
08. Lord Finesse & DJ Mike Smooth – Funky Technician
09. Tragedy Khadafi – Pump The Funk
10. Too Short – Short But Funky
11. Rascalz – Funky Migraine
12. Fast Eddie – Yo Yo Get Funky