6Nov/131

Rearward Glances and Real World Chances: A Review of Rilgood’s Mixtape Kingdom

Rear-view mirrors allow drivers to see rearward facilitating informed driving decisions; at least that is their purpose in our culture. Rilgood is from Nigeria. Yorùbá culture originated from Nigeria. Santeria is partially derived from Yorùbá religion. In Santeria, however, looking backwards is sometimes regarded as incautious because it keeps present obstacles that should have been relinquished.

Kingdom, Rilgood’s newest mixtape, is that rear-view mirror music. Kingdom is hazardous to listen to because throughout the mixtape Rilgood fits into view distracting glimpses of  realization, disappointment, bliss, and gloom similarly experienced by motorists taking poorly timed debilitating glances at rear-view mirrors. He caresses the low-spirited and sunken production[1] with simple lyrics that invite reflection which may lead to awareness, a rubbernecking accident, or both.

Kingdom is slick. Your pause button better have anti-lock brakes or else you’ll have a hard time turning Rilgood’s latest project off. On his mixtape, its apparent Rilgood doesn’t vaunt himself, but I am unsure whether he held back more than he should have. As such, his mixtape is a paradox and that momentous tension is what keeps me from getting tired of it. I can’t figure it out. – Droopy

Follow me (@Droopydood) and Rilgood (@Rilgood).

Listen to Kingdom below:


[1] By Woodro Skillson, The Gift, Rilgood, Dot Da Genius, Kechphrase, Dave Maxwell, Flick James, RC Bankwell, 88-Keys, and Keyboard Kid.

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One Response to “Rearward Glances and Real World Chances: A Review of Rilgood’s Mixtape Kingdom”

  1. Soo says:

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